For the 12 Days of Sinatra, I did a post on Frank Sinatra homes. Here is one of Frank Sinatra's bars that deserves special mention because of a song Frank Sinatra sang his entire career...
Here it is performed in the film Young At Heart, which starts as an Angel Eyes crowded bar setting and then transforms to something more intimate between Frank and Doris Day.
Frank was once on Catalina Island years ago at a place called Christian's Hut, and Duke Wayne was at the bar. Suddenly, on the jukebox comes Frank's recording of 'One For My Baby,' and John Wayne turned to Frank and says, 'What the hell do you listen to when you're alone at three o'clock in the morning?"
Here is Sinatra singing Some Enchanted Evening in 1949. Axel Stordahl arranged.
Here is a song Frank Sinatra co-wrote and then recorded with Rosemary Clooney in 1950. It was originally intended to be done with Dinah Shore, but she declined. The arranger is George Siravo. Rosemary does a fine job, but this song would have worked with Doris Day.
And here is the 1957 CBS's The Edsel Show with Guest Stars (even these terrific talents could not save the Edsel). Which include are some of the stars from the 1956 Cole Porter adaption of The Philadelphia Story, High Society(minus Grace Kelly).
Thanksgiving traditionally does not inspire a lot of songs, but beginning lyrics to Anything Goes reference Plymouth Rock.
Times have changed And we've often rewound the clock Since the Puritans got a shock When they landed on Plymouth Rock. If today Any shock they should try to stem' Stead of landing on Plymouth Rock, Plymouth Rock would land on them.
The Pilgrims were not Puritans (and it is doubtful there was a Plymouth Rock), but Puritans has three syllables, so Porter went with it (and close enough). Unfortunately Frank's version of this song leaves that terrific Puritan preamble off (which I am surprised since Porter had a peeve about singers truncating his songs--and Frank had a lot of respect for Porter). But I included Cole Porter and Ella Fitzgerald's Buddy Bregman arranged cover (in my opinion Ella's 1956 recording from her Cole Porter Songbook album is the best--it's the tops--version out there, even though Frank's is great too) (and Porter and Fitzgerald have the Plymouth intro)
This video has outtakes from various Hollywood movies that are somewhat risqué given the time they were made and are of the era that fit the song. By today's standard they are tame, other than showing Hollywood narcissism and pandering hasn't changed that much over the years.
Jerry, Tom and Ava
I am thankful for the blessing we have, part of which is the greatness of Cole Porter, Ella Fitzgerald and Frank Sinatra (and all the other great artist and songwriters featured this year as part of the Sinatra Century). And I am especially thankful for the wonderful posts of Mark Steyn, Pundette, and Bob Belvedere.
And while Frank was not a Marine or a veteran, he did play a sailor in a movie (which warrants this bonus track written by Betty Comden and Adolph Green)...
Any song with the line: "You're old Dear...Old like gorgonzola..." needs to be posted
Given Frank's mom's side of the family was from Genoa, it seems appropriate to recognize Columbus Day (above is the Columbus Day Riot of 1944) in association with Sinatra.
They all laughed at Christopher Columbus when he said the world was round...
Given that line, this seemed like a good song for Columbus Day, a George and Ira Gershwin classic from their 1937 film Shall We Dance. This is from Sinatra's 1980 Trilogy album, with Billy May arranging this song as part of Frank's "past."
Below is Fred Astaire and Ginger Rogers performing it originally. Ginger was not a great singer but she manages to keep up just fine with Fred Astaire in the dancing department.
Mark Steyn is all about Nelson Riddle with Van Heusen and Mercer's I Thought About You. And Pundette has Cole Porter's Night and Day, in Paris and orchestrated by Nelson Riddle. And for the Riddle Trifecta, Bob Belvedere has the album Nice and Easy on his #9 for best Sinatra disks.
The 1934 opera Porgy and Bess was the George Gershwin's masterwork and personal obsession. Gershwin wrote it mostly on location in South Carolina. It was based off the book and play Porgy by DuBose Heyward. Heyward and Ira Gershwin both contributed to the lyrics and book of Porgy and Bess.
It may not be summer time right now, but Mark covered Porgy and Bess' Summertime. Mark's review She Likes A Gershwin Tune of Martha Bayles' Hole in Our Soul remains as just as relevant today. These pieces gives some excellent background on George Gershwin's work on Porgy and Bess.
Not the best vocals on this one below, but Chita Rivera does a sizzling dance rendition on the Judy Garland Show, and for the time period the camera work is especially good (this was probably 1964):
Fitting for all the lunar talk this weekend, Mark has Moonlight In Vermont (a wonderfully lovely song which Pundette, Bob, and myself all had too). Mark also has It's All Right With Me and Autumn Leaves (Mark does a wonderful job explaining and contrasting Mercer's lyrics to the original French version). Mark also talks about Mohammed and the Movies (wow). That is a must read (you will never look at Halloween the same way again) and After the Balls.
I posted September of My Years and September Song, but Al Dubin and Henry Warren's September in the Rain is worth a bit more attention if only for the excuse of adding these great covers by Doris Day, Julie London and Sarah Vaughan. Dubin and Warren (who wrote some terrific songs) also did a lot of the music for Warner's Looney Toons and Merry Melodies.
A Jule Styne and Sammy Cahn song from 1945 (from a play that never made it to Broadway) that Sinatra made popular in 1958 on the Only The Lonely Album. It is a lovely song that has a lot of depth and Sinatra and Riddle do a fabulous job with it.
Bob Belvedere: Sinatra's Best 19-17, Almost Like Being In Love, The Gal Who Got Away, The Tender Trap #2 (the film version with Debbie Reynolds), and It Happened In Monterey (Tie), Sinatra's Best 22 through 20, Nice 'n' Easy, I'm a Fool To Want You, The Song Is You and Don't Worry About Me (Tie)
Bob Belvedere: Sinatra's Best 22 through 20, Nice 'n' Easy, I'm a Fool To Want You, The Song Is You and Don't Worry About Me (Tie), Sinatra's Best 25 through 23 At Long Last Love, That's Life, Angel Eyes, and My Funny Valentine (a Rogers and Hart song like my last week's pick Blue Moon) and Bob has a couple of Mercer classics on his Sinatra #43 through #41 post.